With the painting Reincarnation, Moses Zibor linked his Nigerian heritage and Kazakhstan cultures, having lived, and worked in Kazakhstan for more than ten years. Moses' ancestors, depicted by the human skull, were reputable hunters; they hunted using spiritual powers, hunting birds and dogs like those used by local hunters in Kazakhstan. Moses believes his ancestors never left; they are right before his eyes. The African female figure is wearing the Kazakhstan ornament to represent both cultures' intercultural immersion.